David Coll (b.1980) is a composer of concert music, installation art, and interdisciplinary projects that engage physical presence with technology to create works of dramatic, introspective, and often playful effect.
History work has been recognized through commissions, prizes, and awards from Milano Musica, NewMusicUSA, the Zellerbach Foundation, ISCM World Music Days, IRCAM, the Salvatore Martirano Foundation and Royaumont, among others.
Groups that perform his works in the USA include line upon line percussion, Ogni Suono saxophone duo, ICE, and Wild Rumpus; and abroad 2e2m, RepertorioZero, Itinéraire, among others. Soloists who have championed his work include Donatienne Michel-Dansac, Séverine Ballon, Lionel Peintre, and Mellissa Hughes.
David’s music has been featured at festivals including Gaudeamus (2005 & 2009), World Music Days, MATA, Voix Nouvelles, Tzlil Meudcan, and the New Music Gathering. It has been performed at venues including the Centre Georges Pompidou, the Éspace de Projection, the Piccolo Teatro, Roulette, the Mondavi Center, the Krannert Center, and the Muziekgebouw aan ’t IJ.
As an educator, David has lectured at institutions including MIT, Columbia College, and Washington University. He holds a Ph.D. from the University of California, Berkeley, with further education at IRCAM (Cursus and Cursus 2), the Orpheus Institute, and the University of Illinois. He has studied with Edmund Campion, Ken Ueno, Franck Bedrossian, Yan Maresz, Erik Ulman, and Jason Eckardt, and participated in master classes with composers Chaya Czernowin, Steven Takasugi, Brian Ferneyhough, Alvin Curran, Martin Bresnick, Mauro Lanza, Philippe Leroux, James Dillon, Luca Francesconi and Mathias Spahlinger.
Most recently he was a Visiting Composition Professor at Hanyang University in Seoul. He is presently an Artist in Residence in Bergen, Norway. This summer he will be a lecturer at UC-Berkeley, teaching a course in Music Technology.